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Jada Pollock Redifines Identity Beyond Wizkid’s ‘Baby Mama’

Published

Saturday, December 21, 2024 at 09:58 AM

Written by Love Patience Tarimoboere

Jada Pollock Redifines Identity Beyond Wizkid’s ‘Baby Mama’

Jada Pollock, entrepreneur and former manager to Nigerian music sensation Ayodeji Balogun, popularly known as Wizkid, has spoken out against being reduced to just a label in the public eye.

While Pollock is the mother of two children with Wizkid and is expecting a third, she is keen to highlight her personal and professional identity beyond her relationship with the global star.

Pollock’s frustration stems from the constant media portrayal of her as Wizkid’s “baby mama,” a label she feels overshadows her accomplishments and entrepreneurial journey.

In an interview, she shared her disappointment over how her contributions to Afrobeat’s rise were often diminished in favor of her personal connection to the artist.

One key moment that sparked her frustration was when she publicly celebrated Wizkid's Grammy win, a milestone that marked significant progress for the genre.

She penned a statement acknowledging the global growth of Afrobeat, only to have media outlets focus on her relationship with Wizkid rather than her own voice.

“They published the statement, and the caption was (Wizkid’s baby mama),” she recounted, emphasizing how this reduced her professional narrative.

Pollock is not just a mother, she is a businesswoman, manager, and strategic thinker who has played a pivotal role in the development of Afrobeat’s international presence.

Before becoming romantically involved with Wizkid, she was already a successful manager and collaborator, helping artists build their careers. Her experience in the music industry, combined with her entrepreneurial spirit, showcases her as a multifaceted figure.

The term “baby mama” often carries a stigma, reducing women to their roles in someone else’s life, particularly in the context of celebrity relationships.

For Pollock, this label is limiting and fails to capture the breadth of her contributions both as a mother and as a professional.

“The narrative does not recognize that you’re an entrepreneur and a hardworking businesswoman. I’m not only a mother but also a manager, and I’ve helped build a legacy,” she stated, underlining her work ethic and dedication to the music industry.

Pollock’s message is clear, she wants to be recognized for the work she’s done, her impact on Afrobeat, and her role in shaping the careers of artists.

Her story further serve as a reminder that women in the entertainment industry are often more than just their relationships, they are leaders, innovators, and entrepreneurs in their own right.

Edited By: Chinedu Eze

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Jada Pollock Redifines Identity Beyond Wizkid’s ‘Baby Mama’

Jada Pollock, entrepreneur and former manager to Nigerian music sensation Ayodeji Balogun, popularly known as Wizkid, has spoken out against being reduced to just a label in the public eye.

While Pollock is the mother of two children with Wizkid and is expecting a third, she is keen to highlight her personal and professional identity beyond her relationship with the global star.

Pollock’s frustration stems from the constant media portrayal of her as Wizkid’s “baby mama,” a label she feels overshadows her accomplishments and entrepreneurial journey.

In an interview, she shared her disappointment over how her contributions to Afrobeat’s rise were often diminished in favor of her personal connection to the artist.

One key moment that sparked her frustration was when she publicly celebrated Wizkid's Grammy win, a milestone that marked significant progress for the genre.

She penned a statement acknowledging the global growth of Afrobeat, only to have media outlets focus on her relationship with Wizkid rather than her own voice.

“They published the statement, and the caption was (Wizkid’s baby mama),” she recounted, emphasizing how this reduced her professional narrative.

Pollock is not just a mother, she is a businesswoman, manager, and strategic thinker who has played a pivotal role in the development of Afrobeat’s international presence.

Before becoming romantically involved with Wizkid, she was already a successful manager and collaborator, helping artists build their careers. Her experience in the music industry, combined with her entrepreneurial spirit, showcases her as a multifaceted figure.

The term “baby mama” often carries a stigma, reducing women to their roles in someone else’s life, particularly in the context of celebrity relationships.

For Pollock, this label is limiting and fails to capture the breadth of her contributions both as a mother and as a professional.

“The narrative does not recognize that you’re an entrepreneur and a hardworking businesswoman. I’m not only a mother but also a manager, and I’ve helped build a legacy,” she stated, underlining her work ethic and dedication to the music industry.

Pollock’s message is clear, she wants to be recognized for the work she’s done, her impact on Afrobeat, and her role in shaping the careers of artists.

Her story further serve as a reminder that women in the entertainment industry are often more than just their relationships, they are leaders, innovators, and entrepreneurs in their own right.

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